For directors of photography
Built by a working DP. Now in closed beta.
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The Problem
Three scenes move to a different day. Two swap order. One gets cut. Now your notes are wrong, your equipment list doesn't match, and the references you pulled are attached to a sequence that no longer exists.
So you sit down and rebuild. Manually cross-referencing a stripboard PDF with annotations you made last week, copying information from one place to another, hoping nothing falls through.
That's data entry dressed up as prep. Administrative noise. A form of creative theft.
How It Works
01
Your schedule is the skeleton. Headroom takes it and builds your scene order from it. When the schedule changes, and it will, everything you built reorganises with it. You update once and keep working.
02
Your prep lives in one place and you move through it fluidly. Lay out references and ideas spatially on an open canvas. Pull any scene and go deep on setups, lenses, flags, notes. Or step back and see your entire shoot across time, laid out by day, so you're thinking about progression and continuity and what's coming next. It's all the same data. Move between views and your work follows you.
03
When you're ready, Headroom generates a brief for each department from your prep. Your gaffer sees lighting and grip, your 1st AC sees lenses and camera, and your producer gets flags and schedule risk. Each brief stays current on its own. You don't send PDFs, you don't answer “what changed?” messages.
You prepped. They're informed.
Watch the Story
This is what prep looks like when you're not fighting the schedule. You're thinking with your material instead of managing it. The references aren't scattered across three apps and a WhatsApp thread. You're not the relay between departments.
When your prep is clear, the decisions come from instinct because the work made them obvious. The story becomes part of you.
That's the clarity to become.